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The song seeds have been planted

Songwriter, Josh Island from Luxembourg writes about his experience at Eurotoire's first residential session at Studio eleven63 in Nicosia, Cyprus on 6-12 June 2021.

As I’m writing this blog post, six of us are on the same plane back to Frankfurt after the very first session of Eurotoire. Laptops are flipped open on the cramped tray tables in front of us, Pro Tools sessions running, earbuds plugged in, heads bobbing subtly to new grooves. A relaxed steward allows us to spread out across the last four empty rows, a well-deserved treat that feels like being superstars in business class. Jutta is scribbling down lyrics in her notebook, Maris is finetuning a demo, Jérôme and Laura are experimenting with awkward clapping rhythms on their thighs, Tamara is catching up on a book and re-listening to phone recordings before taking a three-seat nap.

Sleep-deprived faces and sunburned skin aside, we only now begin to realise how intense and beautiful this last week has been.

Eurotoire was one of the big surprises of 2021. For me, Covid-19 has left a significant mark on my mental health and creative ability, and talking to my musician colleagues this week has shown me I’m not alone in this struggle. I felt stuck writing music, finding myself in dreaded moments of questioning about why I am in this profession. There were days when I even considered putting it all aside. Until the moment you start playing and writing again in a like-minded environment, and the energy, faith and passion that has gotten you to where you are today in the first place bubbles back to life. Eurotoire allowed us to do what we love most: make music. It has given me so much energy.

We hit the ground running on day one as we gathered at Studio eleven63, the scorching sun beating down on the patio outside for our morning coffee and snack breaks. (How can you get sunburned within five minutes? Go to Cyprus). We introduced ourselves in a circle and shared our expectations. It was nice to put faces to names, away from Zoom, and hear how your peers envisioned the week. The plan was for us to be writing at least a dozen songs in f our days in small groups of 2-4 people (but with no restrictions to the number of songwriters or genre) and rotate around every few hours to interact with as many people as possible. There was an urge to launch into it straight away, but also a weird element of nervousness. What if we couldn’t come up with anything? Would we even match as people and be able to write? Writer’s block? What if there’s no music after these days?


Well, those doubts were squashed within the first hour. The level of professionalism in terms of musicality, composition, attitude and dedication around the room was inspiring. The booths were filled with participants who strive to be professional musicians for the rest of their lives, and they took it seriously - it could be felt in lyric and song. Compositions started forming as soon as personal stories started flowing. Thoughts about where we’re from and where we’d like to go, our fears, dreams, insecurities, hopes and beliefs enabled us to come up with at least 15 rough demos by the end of the week. And they weren’t just some random demos thrown together, they were serious hits. Ranging in styles and arrangements but with a very clear, common thread: a group of young musicians from all over Europe who love doing what they do, who don’t have to compete, but work together and draw the best out of each other. The songs were awesome.


This writing process was encouraged even further by the evenings we spent together. Following ten-hour sessions at the studio, we got together for dinner and drinks, and even managed a dip in the ocean. Five hours of sleep became sufficient. Laura and Tamara celebrated consecutive birthdays. Strangers became friends. We’re having serious withdrawal symptoms now.


The story behind Louvana Records and Lefteris, Andreas and Maria is inspiring. To raise an infrastructure from the ground up with resources for a local community of musicians that is not having an easy time expressing their art given their circumstances and industry at present requires guts and determination. The line “there was nothing for us, so we did it ourselves” stuck with me every day, a line we have surely all taken home. Andrea Solomonides, who shared a workshop on entrepreneurship beside Henry Walton on management and Michalis Karakatsanis on networking, said that entrepreneurs are those who jump off a cliff and build their plane on the way down. That’s exactly how we feel. Thank you, Lefteris, Andreas and Maria, for bringing us together, and putting in a tremendous amount of work to write up the proposal.


Being in conversation with my peers made me realise how privileged I am to be a musician in Luxembourg. When it comes to touring, recording and financial support, the infrastructure here is steadily available, something I’ve been taking for granted. It has taught me to open my eyes further, and then to encourage others with their own development, see what resources and knowledge we can share and exchange that we can benefit from as a team. Eurotoire has not only established a co-writing project, but a community of driven musicians and young professionals that can feed off each other.


I can’t wait to be back in July, this time in the rolling hills at Fengaros Music Village with more interaction with local musicians. How cool does it feel to say ‘goodbye’ to someone, but then adding: ‘see you in six weeks?’. We’re already finetuning the demos we finished in the first session, and it will be great to welcome a further six session musicians next time around to bring a fresh perspective on the compositions. The song seeds have been planted, now let us attend to them carefully and the album will flourish.


Posted by Josh Island, member of the Eurotoire team


Josh Island is a Dutch singer-songwriter based in Luxembourg. He has performed extensively across Europe, forging ties with producers and musicians across the continent. His European identity was shaped by an international upbringing, and thanks to this he has become a prominent figure in promoting the EU's shared values and opportunities through musical performances for political institutions and organisations. Josh also worked as a radio DJ for a local community station, and is an active journalist for RTL Luxembourg.

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